April 21, 2022 § Leave a comment
My poetry film SARS-CoV-2, with sound scored by Hazel Fairbairn, will be screening in person and virtually as part of “As the wind is breathing” showcase at the Cadence Video Poetry Festival:
Explorations and exploitations of sound—the sound of words, the sound of anxiety, the sound of abstraction. This showcase features works that bring ancient poetic traditions of musicality and rhythm to a contemporary foreground across Super 8 footage, paintings, performance, and animation. Some skim the surface of music video buoyancy, some are a discordant choreography of the senses, all use audio as integral to the experience of language.
June 2, 2021 § Leave a comment
The 9th International Video Poetry Festival will begin this Sunday 6th June: an online platform due to the current pandemic restrictions. Normally it is hosted by +the Institute [for Experimental Art] in Athens, Greece. There will be a screening of Ghost, one of my poetry films based on Ledi. Musical score by Hazel Fairbairn.
Shoutout to fellow Canadian film makers whose work will appear at the festival, amongst the 206 video artists from 44 countries!
Mironel de Wilde.
Lina Ramona Vitkauskas.
December 1, 2020 § Leave a comment
“Ghost,” a poetry filmed based on a section of my book Ledi, (Book*hug, 2018) has been selected to feature in 9th International Video Poetry Festival, sponsored by +the Institute [for Experimental Arts] in Athens, Greece, and will be screened early in 2021.
Ghost is the second in a series of short poetry films on the excavation of an Iron Age horsewoman’s grave in the steppes of Siberia, her story interwoven with the narrator’s memory of a former lover’s death by suicide. Excerpted from the long poem Ledi (Book*hug, 2018) by Kim Trainor, with original music by Hazel Fairbairn. The first instalment, Integument, screened in November 2020 as part of the Canada/Quebec spotlight at the 20th ZEBRA Poetry Film Festival in Berlin.
Ledi, the second book by Vancouver poet Kim Trainor, describes the excavation of an Iron Age Pazyryk woman from her ice-bound grave in the steppes of Siberia. Along with the woman’s carefully preserved body, with its blue tattoos of leopards and griffins, grave goods were also discovered–rosehips and wild garlic, translucent vessels carved from horn, snow-white felt stockings and coriander seeds for burning at death. The archaeologist who discovered her, Natalya Polosmak, called her ‘Ledi’–‘the Lady’–and it was speculated that she may have held a ceremonial position such as story teller or shaman within her tribe. Trainor uses this burial site to undertake the emotional excavation of the death of a former lover by suicide. This book-length poem presents a compelling story in the form of an archaeologist’s notebook, a collage of journal entries, spare lyric poems, inventories, and images. As the poem relates the discovery of Ledi’s gravesite, the narrator attempts simultaneously to reconstruct her own past relationship and the body of her lover.