Planet Earth Poetry, 15 November!

November 11, 2024 § Leave a comment

Screenshot 2024-11-11 at 7.16.49 PMI’m reading at Planet Earth Poetry this Friday 15 November 15, in Victoria, at Russell Books, with fellow poet Ashley-Elizabeth Best! I hope you can join 🙂 either in person or by Zoom — links below. I was also delighted to participate in an interview with PEP, with Anna Cavouras. Open mic!!! I’ll be reading from my latest book, A blueprint for survival (Guernica Editions, 2024).

 

Screenshot 2024-11-11 at 7.11.11 PM747 FORT STREET IN VICTORIA

Doors open at 7:00pm, event starts at 7:30 and sign up for the open mic in person between 7:00–7:20.
Unless otherwise noted, in person events will be livestreamed HERE (Meeting ID: 494 660 4447 /Passcode: 2129)
**please note, livestream begins at approx. 8:00–8:15pm with featured readings**

Kim Trainor’s New Poetry Collection Gives Readers a Blueprint For Survival

March 18, 2024 § Leave a comment

seed 4 snowdropMy fourth book of poetry, A blueprint for survival, (Guernica Editions 2024) will be published on the spring equinox, 19th March 2024. Allitup interviewed me recently about its inception: 

Open Book:

Can you tell us a bit about how you chose your title? If it’s a title of one of the poems, how does that piece fit into the collection? If it’s not a poem title, how does it encapsulate the collection as a whole?

Kim Trainor:

A blueprint for survival is taken from a special 1972 issue of The Ecologist that was trying to draw attention to our path, already seen clearly at that time, towards environmental planetary destruction. While the topic is existential, I love the hope embodied in the word ‘blueprint,’ which suggests a model or path forward towards survival. The first section of the book, “Wildfire,” documents a long-term relationship against the background of increasing ecological devastation and wildfires – a baseline – while the second section, “Seeds,” is a long sequence that thinks about forms of resistance, survival, and emergence in the context of the sixth mass extinction. I was thinking of each seed/poem as a blueprint, (metaphorically, each ‘seed’ is either a simple human-made tool/activity/group or a complex organism driven by its DNA to adapt to and respond to our current existential threat), and each seed shows a different way of being in the world: lentil, snowdrop, chinook salmon, codex, tardigrade, honeybee, “the beautiful cell,” among others. The Vespa orientalis, for example, as noted by Robert Bringhurst in Learning to Die, has evolved a band of the obscure pigment Xanthopterin to draw sunlight out of air and generate a small voltage. The endangered chinook salmon travel thousands of miles to their spawning grounds in the Fraser River and feed the rich coastal ecosystem. Tiny houses, mobile wood frame cabins outfitted with solar panels, are being built by the Tiny House Warriors in unceded Secwépemc Territory in the interior of BC to challenge the construction of the Trans Mountain pipeline. The connection is serotiny – some organisms require heat, fire, burning, in order to thrive. 

In particular, I loved the tiny advertisement inside my Penguin copy of the book, that reads: 

FURTHER INFORMATION: Organizations wishing to join the Movement for Survival and all others seeking further information should write to the Acting Secretary, The Movement for Survival, c/o The Ecologist, Kew Green, Richmond, Surrey.

Sending off an inquiry to join a Movement for Survival that is advertised at the back of a copy of The Ecologist—that’s hope!

For the rest of the interview, please click: Allitup interview with Kim Trainor

A blueprint for survival — arrived from the printer! Guernica 2024 :)

March 17, 2024 § Leave a comment

copies of bookMy new book arrived today from the printer — A blueprint for survival (Guernica Editions 2024). The cover features a blueprint of the Svalbard Seedbank, superimposed on a photograph of paper birch bark. The launch of my book is this Spring Equinox, Tuesday 19th March 20224, from 4 to 6pm at the Amelia Douglas Gallery at Douglas College, New Westminster. Floor North, Douglas College, 700 Royal Avenue, New Westminster; featuring poetry films by Kim Trainor with soundscapes by Hazel Fairbairn

Screenshot 2024-02-23 at 5.19.01 PM

A blueprint for survival begins in wildfire season, charting a long-distance relationship against the increasing urgency of climate change in the boreal, then shifts to a long sequence, “Seeds,” which thinks about forms of resistance, survival, and emergence in the context of the sixth mass extinction. Each seed functions as blueprint, whether simple human-made tool or complex organism driven by its DNA to adapt to and respond to our current existential threat, each showing a different way of being in the world: lentil, snowdrop, chinook salmon, codex, tardigrade, honeybee, “the beautiful cell.”

“In A blueprint for survival, Kim Trainor gives us heartbreak rendered through a poetry that blends innovative form with delicate detailed precision: personal memory, science, and the art of seeing the world slant, meshed with an examination of our climate emergency. Each poem expands our sense of what the personal and the political can accomplish on the page.”

                        –Renee Sarojini Saklikar, author of Bramah’s Quest

“I’ve often asked myself: In this scary-as-hell, apathetic time on Earth, what do I want to be reading? This book has proved to be the answer.”

                        –Christine Lowther, Former Poet-Laureate of Tofino and editor of Worth More Standing: Poets and Activists Pay Homage to Trees

Excerpt from “Seeds” published in Ecozone

October 28, 2021 § Leave a comment

Screen Shot 2021-10-28 at 5.19.52 PM

An excerpt from “Seeds” was published today in Ecozon@, Vol.12, No.2, 2021; “Eco-Georgic: From Antiquity to the Anthropocene.  Seed 8. ELYSIACHLOROTICA(CHLOROPLAST,ENDOSYMBIONT) and Seed 19. GAIA (BIOSPHERE, THE CARNAL FIELD).:

 

The light reactions, the dark reactions, leaf unfurling, the light—
eastern emerald Elysia, clade Sacoglossa, Elysia chlorotica
littoral, in the salt marshes, the tidal marshes, small pools and shallow creeks,/
leaf unfurling, the light—the pigment chlorophyll absorbs the blues
the reds, the spectral blues, absorb a photon, lose electron flows
to pheophytin to a quinone, flow electrons flow the light reactions…

Cold Mountain Review, Special Issue on the Undiscovered, Fall/Winter 2020, Vol.49, No.1

January 29, 2021 § Leave a comment

cold mountain review undiscovered Jan 2021Two poems from my latest manuscript have just appeared in the Cold Mountain Review, Special Issue on the Undiscovered:  an excerpt from “Seeds–Pacific tree frog (Hylla regilla, Pseudacris regilla) and “Tonquin.” My thanks to the editors.

Ecocene, Vol.1, Issue 2

January 29, 2021 § Leave a comment

ecocene vol.1, issue 2 Dec 2020Excerpt from Seeds has appeared in Ecocene: Cappadocia Journal of the Environmental HumanitiesTwo seeds have been published in Volume 1, Issue 2: “5. Tiny house, caracol, snail” + “19. SARS-CoV2.” My thanks to the editors of this fledgling environmental journal.

Some of the articles in this issue include a discussion of Gary Snyder’s “Poetics of Place,” an essay on environmental consciousness in English Saints’ Lives, and “The Dark Pastoral: Material Ecocriticism in the Anthropocene.”

There is also an art section curated by prOphecy sun, art editor of the journal, who is based at SFU: a discussion of the lichen drawings of Genevieve Roberts, by Caitlin Chaisson; Maja Smrekar’s “Survival Kit for the Anthropocene–Trailer,” an installation “designed as an openly disassembled mobile survival kit, which can also function as a water reservoir;” and Pinar
Yoldaş’s “An Ecosystem of Excess” on plastic waste. 

Dark Matter: Women Witnessing

October 18, 2020 § Leave a comment

I participated in an editorial discussion via Zoom with some fellow writers on the subject of wildfires and buried seeds this August. The transcript of our talk has just appeared in Dark Matter: Women Witnessing, along with a poem—“Shelter”—from my sequence ‘Seeds.’ Live now in this month’s October 2020 edition: “EDITORIAL: Buried Seeds in Burning Times

“From our Call for Submissions: We are living a moment in which planetary concerns converge acutely with the concerns of this journal. It’s a moment that feels dark to many of us and is uncertain for all of us, that has exposed much that was buried before, a moment in which we can no longer deny that we live in bodies and that the health of our bodies cannot be separated from the health of our social and eco-systems. Dark Matter: Women Witnessing was made for this moment of knowing and unknowing.”

#wildfire#seed#serotiny#burning 🔥

ᚁ, k’i, betula

April 29, 2020 § Leave a comment

My poem “ᚁ, k’i, betula” has just appeared in Otoliths magazine, Southern Autumn 2020 (Issue 57, 1 May 2020). It’s part of a long sequence I’ve been working on called “Seeds.”  My thanks to editor Mark Young for accepting it and setting the complicated text.

ᚁ, beith, birch, first letter of ogam ᚛ᚑᚌᚐᚋ᚜ the tree language.

Is there something it is like to be a birch tree, in the conversion of sunlight to green shadows and tree flesh? …

 

Poetry & Resilience: Lung, Muscle, Archive, Beautiful Cell

April 16, 2020 § Leave a comment

Novel_Coronavirus_SARS-CoV-2
Photo credit: NIAID – https://www.flickr.com/photos/niaid/49534865371/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=87484997

I’m writing this in a small, stitched notebook made in Japan, with the words LIFE / PISTACHIO stamped across the front: the colour of dried blood on pistachio green. It’s March 16, 2020. An RVA virus called SARS-CoV-2 has slipped from bat to pangolin, a smudge of blood to human hand to lip to lung, lungs. Breathe. Breathe…..

My post in the ecopoetics series, guest-edited by Jesse Holth, can be found here at The Puritan‘s blog, The Town Crier.

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